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Upcoming

Would you like to look at pictures, talk about them and be creative yourself? Are you between 5 and 12 years old?
Then you are welcome every Saturday in our painting room! During these two hours, we will get to know the Kunsthalle and its exhibitions and be inspired to create our own works.

Come at short notice at the beginning of the event and see if there are still places available. Quantities are limited. With this offer we work without registration.
Offer for children unaccompanied by adults.

This two-day workshop is open to anyone who wants to freely express themselves through drawing and painting.
The artworks in the KiCo Collection can serve as inspiring starting points.
In the Kunsthalle’s studio, participants use individual colors, shapes, or textures that caught their eye in the exhibition to create collages and other artworks through an experimental creative process.
The materials are available. If you would like to work on canvas, please bring your own.

Saturday and Sunday,
12. and September 13,
1:00 p.m. to 5:30 p.m. each day

max. 10 participants
For young people aged 16 and over and adults

UNFORTUNATELY, THE WORKSHOP HAS BEEN CANCELED.

Am Tag des offenen Denkmals öffnet die Kunsthalle Bielefeld ihre Türen bei freiem Eintritt für alle Besucher*innen.

Nutzen Sie die Gelegenheit, das von dem renommierten US-amerikanischen Architekten Philip Johnson entworfene Gebäude zu entdecken und die aktuellen Ausstellungen zu besuchen. Die Kunsthalle zählt zu den bedeutendsten Architekturdenkmälern der Nachkriegsmoderne in Deutschland und verbindet auf einzigartige Weise Kunst und Architektur.

Neben dem freien Eintritt finden um 14:30 und 16:30 zwei Architekturführungen statt. Dabei erhalten Besucher*innen spannende Einblicke in die Entstehungsgeschichte des Hauses, die architektonischen Besonderheiten des Gebäudes sowie seine Bedeutung für die Stadt Bielefeld.

Bitte beachten: für die öffentlichen Führungen um 11:30 und 16:00 fallen 3,50 Euro Führungsgebühr an, der Eintritt ist kostenlos.

Guided tour of our current exhibitions.

anmeldung@kunsthalle-bielefeld.de
T 0521 329995018
Fridays from 3 p.m., at weekends and on public holidays on T 0521 32999500

Highlights

Am Tag des offenen Denkmals öffnet die Kunsthalle Bielefeld ihre Türen bei freiem Eintritt für alle Besucher*innen.

Nutzen Sie die Gelegenheit, das von dem renommierten US-amerikanischen Architekten Philip Johnson entworfene Gebäude zu entdecken und die aktuellen Ausstellungen zu besuchen. Die Kunsthalle zählt zu den bedeutendsten Architekturdenkmälern der Nachkriegsmoderne in Deutschland und verbindet auf einzigartige Weise Kunst und Architektur.

Neben dem freien Eintritt finden um 14:30 und 16:30 zwei Architekturführungen statt. Dabei erhalten Besucher*innen spannende Einblicke in die Entstehungsgeschichte des Hauses, die architektonischen Besonderheiten des Gebäudes sowie seine Bedeutung für die Stadt Bielefeld.

Bitte beachten: für die öffentlichen Führungen um 11:30 und 16:00 fallen 3,50 Euro Führungsgebühr an, der Eintritt ist kostenlos.

The Volksbank in East Westphalia and the Kunsthalle Bielefeld invite you to the next installment of the popular Sound Collection on Friday, September 25, 2026. Starting at 6 p.m., visitors can explore the current exhibitions while enjoying electronic music from the DJs of the Bielefeld-based collective NrzP.

Due to rising visitor numbers, the Sound Collection will remain open until 10 p.m. Admission to the Kunsthalle is until 9:30 p.m.

The Sound Collection has been a regular part of the exhibitions at Kunsthalle Bielefeld since 2021. The format combines art and music in a relaxed atmosphere and is generously sponsored by the Volksbank in Ostwestfalen. The centerpiece is the cooperation with the Bielefeld DJ collective Nummer zu Platz, which lends the event series its special signature.

The “Café Gemach Manhattan” in the Kunsthalle provides a relaxed atmosphere with a selection of drinks from 6 pm to 1 am. Here you can also dance to the music of the DJs. Admission to the Kunsthalle Bielefeld is free on this evening.

Experience the Traditions of Fermentation

Fermented foods such as sauerkraut, kimchi, bread, and kefir have a very long tradition. The various cultures around the world have produced a wide variety of fermented foods. Whether it’s ginger beer or kombucha, bread or soy sauce, or even sauerkraut or kimchi. What all these products have in common is that they are very healthy and have a very long shelf life.

In this workshop, we’ll learn the basics of fermentation and explore two different fermentation cultures. What sets them apart, and where might there be similarities? We make our own sauerkraut and kimchi, and at the end of the session, we taste the already fermented versions. Participants in the “Saz Meets Trombone” workshop will be joining us for a meal, and in return, we’ll be treated to a musical performance afterward. Let’s build bridges together!

About the speakers:
Dr. Fabian Czerwinski is an expert in fermentation and, through his fermentation company “Schnelles Grünzeug,” supplies Bielefeld and the surrounding area with fresh fermented vegetables.

Kyungwon Shin lives in Bielefeld and has brought with her a wealth of knowledge about traditional fermented foods, such as kimchi, from her native Korea. She shares her enthusiasm through various courses.

 

This event will take place at the Einschlingen Educational Center.
To participate, you must register in advance on the Einschlingen Educational Center’s website. You can get there via“Ticket.”
For further inquiries, please contact: Linda Bonifairt, linda.bonifait@einschlingen.de

 

The event is part of the cooperation project “Building Bridges – Creative and Sustainable”. This is a joint project of the Bildungsstätte Einschlingen, the IBZ Friedenshaus e.V. and the Kunsthalle Bielefeld. The aim of the project is to bring people from different backgrounds together through shared interests. The project aims to help people come into contact with each other beyond their usual social groups.

For “Saz Meets Trombone,” we’re inviting saz and trombone players to come together to share music and stories. The saz is a central instrument in Alevi culture and religion, while the trombone and other wind instruments are deeply rooted in Protestant congregations. We experience the diversity of Alevi and Protestant musical traditions and learn how music can bring people together.

Sonja Ramsbrock introduces us to the trombone and its significance today. She studied music, majoring in trombone, and has been working with two trombone choirs at the Protestant Church in Bielefeld for 25 years. Under her direction, children, teenagers, and adults learn to play and make music together on brass instruments. On Saz, Awaz Bariş will guide us through the afternoon. We’ll kick things off with a taste of what’s to come at the “Sauerkraut Meets Kimchi” workshop—the participants in that workshop will be joining us for a musical preview. Let’s build bridges together!

 

This event will take place at the Einschlingen Educational Center.
To participate, you must register in advance on the Einschlingen Educational Center’s website. You can get there via“Ticket.”
For further inquiries, please contact: Mirek Bohdálek, mirek.bohdalek@einschlingen.de

 

The event is part of the cooperation project “Building Bridges – Creative and Sustainable”. This is a joint project of the Bildungsstätte Einschlingen, the IBZ Friedenshaus e.V. and the Kunsthalle Bielefeld. The aim of the project is to bring people from different backgrounds together through shared interests. The project aims to help people come into contact with each other beyond their usual social groups.

What does it mean to share—and why is it so relevant today? To accompany the first part of the exhibition *Divided Views*, we invite you to an evening event that explores the topic from various academic perspectives. In short keynote talks, Thomas Faist (sociologist, University of Bielefeld), Franca Parianen (neuroscientist), and Timo Skrandies (art historian, University of Düsseldorf) will discuss community, cooperation, and responsibility, as well as the question of under what conditions people share—or choose not to.
Afterward, the three guests will engage in conversation with one another and with the audience. An opportunity to explore the exhibition’s themes together and connect art with current social issues.

 

How are new images created from existing ones?

In a conversation with filmmaker and media artist Matthias Müller, the focus is on sharing as an artistic practice: from working with found footage to collective authorship to the montage of fragmented visual worlds.

Drawing on his work *Alpsee*, Müller speaks with the curators about how shared material gives rise to new perspectives and shared narratives—a central theme of the exhibition “Shared/Divided Views. Kunsthalle Bielefeld x KiCo Collection. Part I: Sharing and Being Shared“.

Sing. Connect. Move On: The EinTags!Chor – One Day Choir at the Kunsthalle Bielefeld II
“Will you go with me?”—at the EinTags!Chor, this becomes a warm invitation: Come by, bring your voice, and experience how a shared sound emerges from many different people. As part of the exhibition “Shared Views. Kunsthalle Bielefeld x KiCo Collection – Part II: Will You Walk With Me?”, the Kunsthalle will transform into an open sound space for an afternoon. In the current exhibition, works from two collections interact with one another: they complement, expand upon, question, and contradict each other. This gives rise to new lines of sight and perspectives—between historical and contemporary positions, between painting, space, abstraction, and movement. Just as works of art interact with one another, complement each other, and open up new perspectives, so too do different voices and experiences come together in song.
We bring these thoughts with us into our choral singing: We connect with others, listen to one another, discover old and new songs, and bring together many individual voices to form a single choir. Voice training and singing aren’t about perfection, but about openness, curiosity, and the joy of creating something together. Even though our views sometimes differ, we can listen to one another, come together, and set out on a musical journey.
Anyone who enjoys singing or would simply like to give it a try is welcome to join—whether you have choir experience or not, whether you’re young or young at heart, an amateur or a professional. You don’t need to know how to read music. The only thing that matters is the desire to share your own voice.

Registration isn’t required, but you’re welcome to sign up—that way, you’re guaranteed a spot and we can plan better. Tickets can be reserved by email at:
info@klangfestival-bielefeld.de

Led by: Kamilla Matuszewska and Nike Schmitka
Organizer: Klang!Festival e. V. in collaboration with the Kunsthalle Bielefeld

One day. A choir. Many voices. A shared journey.

Offers

KB Journal

Artist interview with Lars Rosenbohm

A slim man, about 50 years old, wearing a brown T-shirt and blue jeans, leaning against the frame of a room door. He is wearing horn-rimmed glasses with thin brown frames. In the background are stretcher frames and paintings wrapped in bubble wrap.

The Bielefeld artist Lars Rosenbohm explores the human condition in his haunting, sometimes disturbing depictions and reflects experiences of our time. Questions for the artist about his work from curator Felicitas von Richthofen.

A slim man, about 50 years old, wearing a brown T-shirt and blue jeans, leaning against the frame of a room door. He is wearing horn-rimmed glasses with thin brown frames. In the background are stretcher frames and paintings wrapped in bubble wrap.

Thomas Handke: What does the Kunsthalle Bielefeld sound like?
Cooperation with the HSBI 2022/23

Yana Wernicke: From quarry to art gallery – the red Main sandstone
Cooperation with the HSBI 2022/23

Rising red sandstone in the quarry with traces of cut stones.
Rising red sandstone in the quarry with traces of cut stones.

Vincent Hölscher: Engine room
Cooperation with the HSBI 2022/23

Galvanised pipework, partly at right angles.
Galvanised pipework, partly at right angles.

Jonas Feige: The atmosphere of the Kunsthalle Bielefeld
Cooperation with the HSBI 2022/23

A curved reflection of the Kunsthalle Bielefeld building. Columns and the protruding first floor can be recognised.
A curved reflection of the Kunsthalle Bielefeld building. Columns and the protruding first floor can be recognised.

These are our architects
Caruso St John Architects have been appointed

Five people stand in a row in front of the Kunsthalle Bielefeld. They look cheerful.

Caruso St John have been appointed architects for the renovation of the Kunsthalle Bielefeld

Five people stand in a row in front of the Kunsthalle Bielefeld. They look cheerful.

The path to a climate-friendly museum
A contribution by Prof. Peter Gorschlüter

Presentation slide for the Museum Folkwang

A blog post by Prof. Peter Gorschlüter on his lecture ‘The path to a climate-friendly museum’.

Presentation slide for the Museum Folkwang

Look up – the road to a green museum
A contribution by Prof. Dr. Stefan Simon

A labyrinth of various pipes, cylinders and measurement displays. In the bottom right corner it states: Air conditioning Humboldt Forum, Berlin.

A blog post by Prof. Dr. Stefan Simon on his lecture ‘Look up – the path to the green museum’.

A labyrinth of various pipes, cylinders and measurement displays. In the bottom right corner it states: Air conditioning Humboldt Forum, Berlin.

Peace with Gaia – perspectives, possibilities and limits of cultural institutions in the sustainability transformation process
A contribution from Ministerial Councillor Ralph Zinnikus

Black and white photo of an old globe in a wooden frame with four legs and a ring around the equator.

A blog post by Ministerialrat Ralph Zinnikus on his lecture ‘Peace with Gaia – perspectives, possibilities and limits of cultural institutions in the sustainability transformation process’.

Black and white photo of an old globe in a wooden frame with four legs and a ring around the equator.

Curating as Care Work: Of the Museum Climate in Planetary Interdependencies and Cultural Imaginaries.
A contribution by Prof. Dr. Elke Krasny

Dark beige background with black lettering: Curating as care work imagines and practices grief work and care for the future and insists on the hope that a culture of the living, in which human and non-human living beings can breathe again with their planet Earth, is possible.

A blog post by Prof. Dr. Elke Krasny on her lecture ‘Curating as care work: On the museum climate in planetary interdependencies and cultural imaginaries’.

Dark beige background with black lettering: Curating as care work imagines and practices grief work and care for the future and insists on the hope that a culture of the living, in which human and non-human living beings can breathe again with their planet Earth, is possible.

The city, the box, the art and the climate. Attempt at a relational reassembly
A contribution by Prof. Dipl. Ing. Bernd Kniess

On a white background is written several times in black handwriting, in various sizes: Museum, below a square through which is written ,Power

A blog post by Prof. Dipl. Ing. Bernd Kniess on his lecture ‘The city, the box, art and the climate. Attempt at a relational reassembly’.

On a white background is written several times in black handwriting, in various sizes: Museum, below a square through which is written ,Power

Exhibiting and preserving as toxic paradigms. Can cultural institutions negotiate the environmental crisis?
A contribution by Prof. Dr. Peter J. Schneemann

A large fire at dusk. It eats its way through a construction of wooden slats that form a building.

A blog post by Prof. Dr. Peter J. Schneemann on his lecture ‘Exhibiting and preserving as toxic paradigms. Can cultural institutions negotiate the environmental crisis?

A large fire at dusk. It eats its way through a construction of wooden slats that form a building.

Rewilding the white cube: the role of art museums in tackling the climate emergency
A contribution from Frances Morris

A very high, shaft-like room. The entire floor is covered by a white, paintable surface on which countless drawings can be seen. People can be seen adding drawings all over the room. Large sheets of white fabric covered with splashes of paint hang from the ceiling.

A blog post by Frances Morris on her talk ‘Rewilding the white cube: the role of art museums in addressing climate emergency’.

A very high, shaft-like room. The entire floor is covered by a white, paintable surface on which countless drawings can be seen. People can be seen adding drawings all over the room. Large sheets of white fabric covered with splashes of paint hang from the ceiling.

The spatial culture of the museum
A contribution by Prof. Dr. Kali Tzorzti

On the left side six pictures of white painted exhibition rooms. Art from the Middle Ages hangs on the walls. To the right is a floor plan drawing with many black lines running through the rooms at different densities, on different paths. A red line marks a circular path through the rooms.

A blog post by Prof. Dr. Kali Tzorzti on her keynote lecture ‘The spatial culture of museums’.

On the left side six pictures of white painted exhibition rooms. Art from the Middle Ages hangs on the walls. To the right is a floor plan drawing with many black lines running through the rooms at different densities, on different paths. A red line marks a circular path through the rooms.

Vulnerable Processes. Vulnerable Processes. A Curatorial Reflection on the Museum in Transition.
A contribution by Prof. Dr. Doreen Mende

On the left, an oblong, rectangular flyer in magenta, on the right one in yellow. In large black letters on the top of both is written: Stannaki Forum Art and Research in Conversation. Below that on the left it says: 05.04.23 Motif, FROMPO. On the right it says: 07.06.23 Mining, AQU.

A blog post by Prof. Dr. Doreen Mende on his keynote lecture ,Vulnerable Processes. A Curatorial Reflection on the Museum in Transition.’

On the left, an oblong, rectangular flyer in magenta, on the right one in yellow. In large black letters on the top of both is written: Stannaki Forum Art and Research in Conversation. Below that on the left it says: 05.04.23 Motif, FROMPO. On the right it says: 07.06.23 Mining, AQU.

Abhängen statt aufhängen? – Museum Spaces and the New Ethics of Communitization
A contribution by Prof. Dr. Karen van den Berg

In a yellow-painted hall-like space stands a large seating area. The stair-like construction is made of poles from scaffolding and wooden boards.

A blog post by Prof. Dr. Karen van den Berg on his impulse lecture ,Hang up instead of hanging up? – Museum Spaces and the New Ethics of Communion’.

In a yellow-painted hall-like space stands a large seating area. The stair-like construction is made of poles from scaffolding and wooden boards.