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Exhibitions

Upcoming

Would you like to look at pictures, talk about them and be creative yourself? Are you between 5 and 12 years old?
Then you are welcome every Saturday in our painting room! During these two hours, we will get to know the Kunsthalle and its exhibitions and be inspired to create our own works.

Come at short notice at the beginning of the event and see if there are still places available. Quantities are limited. With this offer we work without registration.
Offer for children unaccompanied by adults.

Guided tour of our current exhibitions.

anmeldung@kunsthalle-bielefeld.de
T 0521 329995018
Note: On Fridays starting at 3:00 p.m., on weekends, and on holidays, please call 0521 32999500 to register.

Guided tour of our current exhibitions.

anmeldung@kunsthalle-bielefeld.de
T 0521 329995018
Note: On Fridays starting at 3:00 p.m., on weekends, and on holidays, please call 0521 32999500 to register.

Do you own a work of art but know nothing about it?
In our art guidance, we go with you on a search for clues.
Please note that we are unable to provide monetary values.

It is necessary to register in advance:
anmeldung@kunsthalle-bielefeld.de
T 0521 329995018

Donation welcome

Highlights

In the mood for some art after work?

At “Kunstprickeln – Art After Work,” Wednesday evenings begin with a 45-minute curator-led tour of the current exhibition. The tour focuses on selected works, curatorial insights, and new perspectives on the exhibition.

Afterward, we invite you to wind down the evening in a relaxed atmosphere. Over a glass of sparkling wine at Café Gemach Manhattan, there will be time for conversation, sharing ideas, and a touch of artistic inspiration.

You must purchase a ticket in advance or register at:
anmeldung@kunsthalle-bielefeld.de
T 0521 329995018

Cooking together, saving food, and bringing people together: “The Kitchen for Everyone” (KüfA) shows how easy it is to practice solidarity in everyday life.

Its roots lie in the squatter movement of the 1980s. At that time, so-called “Volxküchen” sprang up in self-managed centers, where people cooked together and offered meals at affordable prices. To this day, community, self-organization, and solidarity remain at the heart of the movement.

Sophie Bormann (KüfA/foodsharing) provides a brief overview of the history and social significance of these community kitchens. She also explains how we can get involved ourselves, organize a KüfA, or support existing initiatives.

Then it’s time to get hands-on: We’ll chop, cook, and eat together! There’s plenty of opportunity for conversation, new connections, and ideas for building a community based on solidarity.

5:00 p.m.: Keynote with Sophie Bormann
5:30 p.m.: Cooking Together (vegetarian and vegan)
Starting at 7:30 p.m.: Dinner together (feel free to bring a container in case there are leftovers)

The event will not take place at the Kunsthalle, but at the IBZ Friedenshaus.
Advance registration is required to participate.
Please register and direct any questions to: politische.bildung@ibz-bielefeld.de

 

In cooperation with foodsharing Bielefeld e.V., the event is taking place as part of the collaborative project “Building Bridges—Creatively and Sustainably.” This is a joint project of the Einschlingen Educational Center, IBZ Friedenshaus e.V., and the Kunsthalle Bielefeld. The goal of the project is to bring people from diverse backgrounds together through shared interests. The project aims to help people connect with one another beyond their usual social circles.

Sing. Connect. Move On: The EinTags!Chor – One Day Choir at the Kunsthalle Bielefeld II
“Will you go with me?”—at the EinTags!Chor, this becomes a warm invitation: Come by, bring your voice, and experience how a shared sound emerges from many different people. As part of the exhibition “Shared Views. Kunsthalle Bielefeld x KiCo Collection – Part II: Will You Walk With Me?”, the Kunsthalle will transform into an open sound space for an afternoon. In the current exhibition, works from two collections interact with one another: they complement, expand upon, question, and contradict each other. This gives rise to new lines of sight and perspectives—between historical and contemporary positions, between painting, space, abstraction, and movement. Just as works of art interact with one another, complement each other, and open up new perspectives, so too do different voices and experiences come together in song.
We bring these thoughts with us into our choral singing: We connect with others, listen to one another, discover old and new songs, and bring together many individual voices to form a single choir. Voice training and singing aren’t about perfection, but about openness, curiosity, and the joy of creating something together. Even though our views sometimes differ, we can listen to one another, come together, and set out on a musical journey.
Anyone who enjoys singing or would simply like to give it a try is welcome to join—whether you have choir experience or not, whether you’re young or young at heart, an amateur or a professional. You don’t need to know how to read music. The only thing that matters is the desire to share your own voice.

Registration isn’t required, but you’re welcome to sign up—that way, you’re guaranteed a spot and we can plan better. Tickets can be reserved by email at:
info@klangfestival-bielefeld.de

Led by: Kamilla Matuszewska and Nike Schmitka
Organizer: Klang!Festival e. V. in collaboration with the Kunsthalle Bielefeld

One day. A choir. Many voices. A shared journey.

Let’s discover Sigmar Polke’s artwork “Negativwert” (1982) together! Polke’s artistic work continues to fascinate us today and opens up a space for exciting experiments. So join us when it’s time for “Pigments in Motion”!

In the mood for some art after work?

At “Kunstprickeln – Art After Work,” Wednesday evenings begin with a 45-minute curator-led tour of the current exhibition. The tour focuses on selected works, curatorial insights, and new perspectives on the exhibition.

Afterward, we invite you to wind down the evening in a relaxed atmosphere. Over a glass of sparkling wine at Café Gemach Manhattan, there will be time for conversation, sharing ideas, and a touch of artistic inspiration.

You must purchase a ticket in advance or register at:
anmeldung@kunsthalle-bielefeld.de
T 0521 329995018

Offers

KB Journal

Mathilda Abker: Shared Views – How Visitors Interpret Artworks Without Context
Partnership with Heinrich Heine University Düsseldorf in 2026

A photo of a person with short dark hair and blonde highlights, taken from behind. She is reaching behind her neck with her left hand while looking at an oval canvas that is slightly dirty on the sides and partially covered with DHL tape.
A photo of a person with short dark hair and blonde highlights, taken from behind. She is reaching behind her neck with her left hand while looking at an oval canvas that is slightly dirty on the sides and partially covered with DHL tape.

Provenance Research at the Kunsthalle Bielefeld
A Conversation with Jan Giebel

A portrait photo of a white middle aged man in front of a shelfed wall with books. He is wearing glasses and a light blue shirt. His short hair, three-day beard and mustache are black with gray streaks.

In an interview, art historian Jan Giebel discusses his research on the history of the collection and the Kunsthalle Bielefeld institution. He talks about his first impressions, the challenges he faced during his research, and why provenance research is much more than just archival work. The exhibition focuses on paintings, sculptures, and other works of art acquired between 1933 and 1974.

A portrait photo of a white middle aged man in front of a shelfed wall with books. He is wearing glasses and a light blue shirt. His short hair, three-day beard and mustache are black with gray streaks.

Artist interview with Lars Rosenbohm

A slim man, about 50 years old, wearing a brown T-shirt and blue jeans, leaning against the frame of a room door. He is wearing horn-rimmed glasses with thin brown frames. In the background are stretcher frames and paintings wrapped in bubble wrap.

The Bielefeld artist Lars Rosenbohm explores the human condition in his haunting, sometimes disturbing depictions and reflects experiences of our time. Questions for the artist about his work from curator Felicitas von Richthofen.

A slim man, about 50 years old, wearing a brown T-shirt and blue jeans, leaning against the frame of a room door. He is wearing horn-rimmed glasses with thin brown frames. In the background are stretcher frames and paintings wrapped in bubble wrap.

Thomas Handke: What does the Kunsthalle Bielefeld sound like?
Cooperation with the HSBI 2022/23

Yana Wernicke: From quarry to art gallery – the red Main sandstone
Cooperation with the HSBI 2022/23

Rising red sandstone in the quarry with traces of cut stones.
Rising red sandstone in the quarry with traces of cut stones.

Vincent Hölscher: Engine room
Cooperation with the HSBI 2022/23

Galvanised pipework, partly at right angles.
Galvanised pipework, partly at right angles.

Jonas Feige: The atmosphere of the Kunsthalle Bielefeld
Cooperation with the HSBI 2022/23

A curved reflection of the Kunsthalle Bielefeld building. Columns and the protruding first floor can be recognised.
A curved reflection of the Kunsthalle Bielefeld building. Columns and the protruding first floor can be recognised.

These are our architects
Caruso St John Architects have been appointed

Five people stand in a row in front of the Kunsthalle Bielefeld. They look cheerful.

Caruso St John have been appointed architects for the renovation of the Kunsthalle Bielefeld

Five people stand in a row in front of the Kunsthalle Bielefeld. They look cheerful.

The path to a climate-friendly museum
A contribution by Prof. Peter Gorschlüter

Presentation slide for the Museum Folkwang

A blog post by Prof. Peter Gorschlüter on his lecture ‘The path to a climate-friendly museum’.

Presentation slide for the Museum Folkwang

Look up – the road to a green museum
A contribution by Prof. Dr. Stefan Simon

A labyrinth of various pipes, cylinders and measurement displays. In the bottom right corner it states: Air conditioning Humboldt Forum, Berlin.

A blog post by Prof. Dr. Stefan Simon on his lecture ‘Look up – the path to the green museum’.

A labyrinth of various pipes, cylinders and measurement displays. In the bottom right corner it states: Air conditioning Humboldt Forum, Berlin.

Peace with Gaia – perspectives, possibilities and limits of cultural institutions in the sustainability transformation process
A contribution from Ministerial Councillor Ralph Zinnikus

Black and white photo of an old globe in a wooden frame with four legs and a ring around the equator.

A blog post by Ministerialrat Ralph Zinnikus on his lecture ‘Peace with Gaia – perspectives, possibilities and limits of cultural institutions in the sustainability transformation process’.

Black and white photo of an old globe in a wooden frame with four legs and a ring around the equator.

Curating as Care Work: Of the Museum Climate in Planetary Interdependencies and Cultural Imaginaries.
A contribution by Prof. Dr. Elke Krasny

Dark beige background with black lettering: Curating as care work imagines and practices grief work and care for the future and insists on the hope that a culture of the living, in which human and non-human living beings can breathe again with their planet Earth, is possible.

A blog post by Prof. Dr. Elke Krasny on her lecture ‘Curating as care work: On the museum climate in planetary interdependencies and cultural imaginaries’.

Dark beige background with black lettering: Curating as care work imagines and practices grief work and care for the future and insists on the hope that a culture of the living, in which human and non-human living beings can breathe again with their planet Earth, is possible.

The city, the box, the art and the climate. Attempt at a relational reassembly
A contribution by Prof. Dipl. Ing. Bernd Kniess

On a white background is written several times in black handwriting, in various sizes: Museum, below a square through which is written ,Power

A blog post by Prof. Dipl. Ing. Bernd Kniess on his lecture ‘The city, the box, art and the climate. Attempt at a relational reassembly’.

On a white background is written several times in black handwriting, in various sizes: Museum, below a square through which is written ,Power

Exhibiting and preserving as toxic paradigms. Can cultural institutions negotiate the environmental crisis?
A contribution by Prof. Dr. Peter J. Schneemann

A large fire at dusk. It eats its way through a construction of wooden slats that form a building.

A blog post by Prof. Dr. Peter J. Schneemann on his lecture ‘Exhibiting and preserving as toxic paradigms. Can cultural institutions negotiate the environmental crisis?

A large fire at dusk. It eats its way through a construction of wooden slats that form a building.

Rewilding the white cube: the role of art museums in tackling the climate emergency
A contribution from Frances Morris

A very high, shaft-like room. The entire floor is covered by a white, paintable surface on which countless drawings can be seen. People can be seen adding drawings all over the room. Large sheets of white fabric covered with splashes of paint hang from the ceiling.

A blog post by Frances Morris on her talk ‘Rewilding the white cube: the role of art museums in addressing climate emergency’.

A very high, shaft-like room. The entire floor is covered by a white, paintable surface on which countless drawings can be seen. People can be seen adding drawings all over the room. Large sheets of white fabric covered with splashes of paint hang from the ceiling.

The spatial culture of the museum
A contribution by Prof. Dr. Kali Tzorzti

On the left side six pictures of white painted exhibition rooms. Art from the Middle Ages hangs on the walls. To the right is a floor plan drawing with many black lines running through the rooms at different densities, on different paths. A red line marks a circular path through the rooms.

A blog post by Prof. Dr. Kali Tzorzti on her keynote lecture ‘The spatial culture of museums’.

On the left side six pictures of white painted exhibition rooms. Art from the Middle Ages hangs on the walls. To the right is a floor plan drawing with many black lines running through the rooms at different densities, on different paths. A red line marks a circular path through the rooms.